December 2, 2023
Goat: Oh Death album review

If there’s one thing Goat haven’t done in the six years since last album Requiem was released, it’s become any easier to pigeonhole. The mysterious Swedes still sound less Swedish than any other Swedish band ever, twisting plundered sonics from every part of the world apart from their own into wild, ritualistic shapes. 

Chukua Pesa sounds like the sort of thing Robert Plant might have brought back with him from a successful field trip to the Malian desert. Under No Nation struts like Fela Kuti before flipping blithely into free-jazz skronk via Blondie. 

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